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미켈란젤로. The Book of Michelangelo, by Estelle M. Hurll
CONTENTS AND LIST OF PICTURES PORTRAIT OF MICHELANGELO. ATTRIBUTED TO BUGIARDINI. Frontispiece. PAGE INTRODUCTION i On Michelangelo's Character as an Artist vii ii On Books of Reference x iii Historical Directory of the Works of Art in this Collection xii iv Collateral Readings from Literature xv v Outline Table of the Principal Events in Michelangelo's Life xviii vi Some of Michelangelo's Famous Italian Contemporaries xx I MADONNA AND CHILD 1 II DAVID 7 III CUPID 13 IV MOSES 19 V THE HOLY FAMILY 25 VI THE PIET？ 31 VII CHRIST TRIUMPHANT 37 VIII THE CREATION OF MAN 43 IX JEREMIAH 49 X DANIEL 55 XI THE DELPHIC SIBYL 61 XII THE CUMÆAN SIBYL 67 XIII LORENZO DE' MEDICI 73 XIV TOMB OF GIULIANO DE' MEDICI 79 XV CENTRAL FIGURES FROM THE LAST JUDGMENT 85 XVI PORTRAIT OF MICHELANGELO (See Frontipiece) 91 PRONOUNCING VOCABULARY OF PROPER NAMES AND FOREIGN WORDS 95 |
저자 소개
미켈란젤로. The Book of Michelangelo, by Estelle M. Hurll
미국저술가.
A COLLECTION OF FIFTEEN PICTURES
AND A PORTRAIT OF THE MASTER
WITH INTRODUCTION AND
INTERPRETATION
BY
ESTELLE M. HURLL
BOSTON AND NEW YORK
HOUGHTON, MIFFLIN AND COMPANY
The Riverside Press, Cambridge
1900
COPYRIGHT, 1900, BY HOUGHTON, MIFFLIN & CO.
미국저술가.
A COLLECTION OF FIFTEEN PICTURES
AND A PORTRAIT OF THE MASTER
WITH INTRODUCTION AND
INTERPRETATION
BY
ESTELLE M. HURLL
BOSTON AND NEW YORK
HOUGHTON, MIFFLIN AND COMPANY
The Riverside Press, Cambridge
1900
COPYRIGHT, 1900, BY HOUGHTON, MIFFLIN & CO.
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미켈란젤로. The Book of Michelangelo, by Estelle M. Hurll
PREFACE In making a collection of prints from the works of Michelangelo, it is impossible to secure any wide variety, either in subject or method of treatment. We are dealing here with a master whose import is always serious, and whose artistic individuality is strongly impressed on all his works, either in sculpture or painting. Our selections represent his best work in both arts. These are arranged, not in chronological order, but in a way which will lead the student from the subjects most familiar and easily understood to those which are more abstract and difficult. ESTELLE M. HURLL. NEW BEDFORD, MASS. January, 1900. |
