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Introduction Chapter 1: Musicalising Montgomery Clift Chapter 2: Kazan, Brando, and Melomania Chapter 3: Hitchcock’s Time Vectors of Acting and Music Chapter 4: Day, Monroe, and Gendered Music Chapter 5: Dissonance and Consonance in James Dean’s Films Chapter 6: Waters, Poitier, Music, and Race Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli Conclusion |