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Contents: Preface; Introduction; Prelude: the 18th-century musical legacy; Edward Bunting in the new century; The Anacreontic Society: an 18th-century throwback; Opera in a blighted theatre; Concert life in the 1840s and 1850s: the Anacreontic Society in its music hall; Concert life in the 1840s and 1850s: to God be the glory - The rise of the choral societies; Concert life in the 1840s and 1850s: welcome visitors; Edmund Thomas Chipp and the building of the Ulster Hall; Concert life after Chipp; Opera and the return of theatrical respectability; Concert life in the philharmonic era, 1874-99; Carl Rosa and the gilded elephants; Conclusion: fertile soil and stony ground; Appendices; Bibliography; Index.
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