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Contents: Introduction; Revisiting the literary tradition of Trecento song; Song texts as Poesia Aulica; Musical interlude: Francesco degli Organi and elite Florentine culture in Genoa, Biblioteca Universitaria, A.IX.28; Intersections between oral and written tradition in Florence, Biblioteca Nazionale Centrale, Magliabechiano VII 1078; Ovid’s Heroides, Florentine Volgarizamenti, and unnotated song in Florence, Biblioteca Nazionale Centrale, II.II.61 and Magliabechiano VII 1040; Scribes, owners, and material contexts; Epilogue; Appendices; Select bibliography; Index. |