이미 소장하고 있다면 판매해 보세요.
|
Contents: Introduction: music, material culture and archaeologies; Sarah Records (1987-1995) and the everyday; Ghost Box Records (2004-): materiality, technological mediation and the birth of ghosts; From collecting to curating and reissuing the recorded past: Finders Keepers (2004-) and reissue record labels; YouTube archivists, e-collectors and digital flaneurs: the internet and the future of phonography; Conclusion: the afterlife of music objects; Select bibliography; Index. |