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Introduction: The Alterity of Early Modern Audiences Chapter 1: Audience Response to Performance: Fear of Riots, Closures and Unruly Playgoers Chapter 2: Performance’s Response to Audience: The Relationship among Audience, Performance and Reality Chapter 3: Fictional Audience’s Responses to Fictional Performances: The Didactic Role of Metadrama Chapter 4: Unstable Texts, Active Readers; Stable Performances, Non-Reactive Playgoers Chapter 5: Anti-Mimetic Drama: Performance’s Relationship to Reality and the Playgoer’s Interpretive Agency Coda: Return to Malfi: The Secrecy of Performance and the Consequences of Constructing Playgoing |