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Acknowledgements Introduction Chapter 1 The Theater Controversies in Early Modern England Playhouse, Prayer-house, Profit, and Plague Actors and Audience Chapter 2 True Performing and Verses of Feigning Love: A Midsummer Night’s Dream and Early Modern English Antitheatricality "Verses of Feigning Love"-Poetry in A Midsummer Night’s Dream "True Performing"-Theater in A Midsummer Night’s Dream Conclusion: Poets and Players Chapter 3 Hamlet as Shakespeare’s Defense of Theater Ethical and Ontological Concerns about Theater The Laughter of the Barren Spectators Conclusion Chapter 4 "In My Power": The Tempest as Shakespeare’s Antitheatrical Vision Theater and Spectacle in The Tempest and in the Antitheatrical Discourse Music in The Tempest In Your Power: Shakespeare’s Defense of Music and Drama Afterword Poets, Pipers, and Players Index |