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Acknowledgements Introduction 1 Reconstructing Jonson’s parts 2 Jonson’s revisions 3 Jonson among the actors 4 Spectating parts Case study: ‘Cupid’ (Cynthia’s Revels (Q)) 5 Humorous parts: sweet fools Case study: ‘Polish’ (The Magnetic Lady) 6 Humorous parts: bitter fools Case study: ‘Adam Overdo’ (Bartholomew Fair) 7 Apprentice parts Case study: ‘Frances Fitzdottrel’ (The Devil Is an Ass) 8 Plotting parts Case study: ‘Catiline’ (Catiline) 9 All parts assembled Case study: The Alchemist 4.6?4.7 10 Taking the measure of Jonson’s plays 11 Conclusion 12 Bibliography Appendix 1: Actors’ Parts in Case Studes ‘Cupid’ (Cynthia’s Revels (Q)) ‘Polish’ (The Magnetic Lady) ‘Adam Overdo’ (Bartholomew Fair) ‘Frances Fitzdottrel’ (The Devil Is an Ass) ‘Catiline’ (Catiline) The Alchemist 4.6?4.7 Appendix 2: Sizes of Actors’ parts in Jonson’s plays Index |