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Introduction 1. Theoretical and Methodological Approach 2. Positioning Japanese Classical Music within the Global Hierarchy of Value 3. The Plight of Musician in Japan 4. Studying Classical Music in its ‘Birthplace’: The Japanese go to Europe 5. Music Knows No Borders? Crisscrossing French, Polish and Japanese Music Milieus 6. Japanese Classical Musicians: Between Professional Satisfaction and Frustration Concluding Remarks: Transnationality as a ‘Liminal status quo’ |