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1. Introduction: The Many Steps and Factors of a European Renaissance Luca Barra and Massimo Scaglioni Part I: Researching European Fiction 2. The Grounds for a Renaissance in European Fiction: Transnational Writing, Production and Distribution Approaches and Strategies Luca Barra and Massimo Scaglioni 3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an Emerging EU Market Dom Holdaway, Cecilia Penati and Anna Sfardini 4. Transnational Circulation of European TV Series: National Models and Industrial Strategies for Scripted Pay Imports/Exports Paolo Carelli and Damiano Garofalo Part II: United Kingdom 5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for UK Television Philip Drake 6. "The Biggest Drama Commission in British Television History": Netflix, The Crown and the UK Television Ecosystem Roberta Pearson Part III: France 7. Video on Demand Platforms, Editorial Strategies and Logics of Production: The Case of Netflix France Christel Taillibert and Bruno Cailler 8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+ Helene Monnet-Cantagrel 9. What is a Quality French Series? Reflections on The Bureau Francois Jost Part IV: Italy 10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and the Struggle for Difference Luca Barra and Massimo Scaglioni 11. The Holy See(ing): Splendors and Miseries of The Young Pope Giancarlo Lombardi Part V: Germany 12. TV Drama Series Production in Germany and the Digital Television Landscape Lothar Mikos 13. Selling Location, Selling History: New German Series and Changing Market Logic Susanne Eichner Part VI: Spain 14. Ways of Production and Distribution as Movistar+ Juan Francisco Gutierrez Lozano 15. Bambu Producciones and the Transformation of Spanish Television Fiction Production Concepcion Cascajosa-Virino Part VII: Central and Eastern Europe 16. HBO Europe’s Original Programming in the Era of Streaming Wars Petr Szczepanik 17. Quality by Design: Feature TV Series from Premium Television in Poland Artur Majer 18. Familiar, Much Too Familiar… HBO’s Hungarian Original Productions and the Questions of Cultural Proximity Balasz Varga |