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Table of Contents List of Maps List of Illustrations List of Music Examples Forward Acknowledgements Chapter 1. Introduction: Mapping Afro-Fiddle Playing in Three Different Contexts Busking in Lisbon First beats Up-beat down-bow: musical identities African musical aesthetics? Perception, the ‘sensuous’ and improvisation Rhythm as a diasporic reinvention Approaching the fieldwork Fiddles in transit Chapter 2. The Kriolu Violin of Cape Verde The archipelago at the Atlantic crossroads Transnational cultures The violin in Cape Verde Antoninho Travadinha (the improviser) Research in the Ilhas do Sotavento (Santiago) Kim Alves Nho Djonzinho Alves Nho Nani Research in the Ilhas do Barlavento Francisco Sequeira (archivist) and Malaquias Costa (violinist) Cesar Costa Nho Kzik Breka (‘The Tall Man’) Kriolu violin playing: a dynamic tradition Chapter 3. The Cimboa in Cape Verde Rumours of extinction A Fulbe heritage? The cimboa in batuku The rhythm of cimboa music Mano Mendi and Pascoal Fernandes Ntoni Denti d’Oro Transcultural revivals Chapter 4. The Cimboa Becomes the Orocongo The transformation of the cimboa in Brazil Gentil do Orocongo The orocongo, the rhizome and ‘creative creolisation’ Chapter 5. Vanished Fiddles: Vestiges of Mozambique in Brazil Investigating historical traces Fiddle paintings Across the ‘emaka’ (ocean): the journey from east to west The disappearance of the one-stringed fiddle Chapter 6. The Tchakare in Mozambique The Makua peoples On the way to Niassa The Makua tchakare and tchkwesa Between Mandimba and Mitande Nfani Wathunia A traditional Makua village Almirante Bilale The Makua tchakare and Mozambique’s nationalist agenda Chapter 7. The Rabeca in a Brazilian Quilombo Quilombola culture: resistance, identity and ethnic reassertion Vale do Ribeira Quilombos: cultural heritage and the struggle for recognition Caicaras, quilombos and music Rabeca players in Quilombo do Moro Seco Bonifacio Modesto Pereira The fandango-rufado The role of the rabeca Hermes Modesto Pereira Music and religion Musical and social change Chapter 8. Conclusion: Creolisation and the Revival of FiddleTraditions The fiddle and the African diaspora The Kriolu violin: local and overseas circuits, transnational identities One-stringed fiddle connections Fiddling in a quilombo: land, memory and identity Unperceived aesthetics and disappearing traditions Glossary of Terms Index |