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Introduction 1 Black fulla, White fulla: Can there be a truly balanced collaboration? LOU BENNETT 2 Rock band: A third, brave space for Indigenous language CLINT BRACKNELL 3 Theorising ganma: Yothu Yindi and third-space musical collaborations AARON CORN 4 Call to Yawahr: Opening a third space for collaborative music making between Indigenous and non-Indigenous communities CANDACE KRUGER 5 One mob dreaming: Cultivating a working model for song-sharing between Koori and non-Koori children in the Bega Valley, New South Wales ROBIN RYAN CRUSE AND UNCLE OSSIE CRUSE 6 Indigenous music and cultural engagement: Listening with our ears and hearts DAWN JOSEPH AND YIN PARADIES 7 Finding solid ground: Industry collaboration and mentoring Aboriginal and Torres Strait Islander students in secondary schools THOMAS FIENBERG AND DEBBIE HIGGISON 8 Adventures in the third space of intra-Indigenous recording projects: Is border-crossing a bridge or a barrier? KARL NEUENFELDT 9 In the borders and borderlands of coloniality with Helene Cixous and Gloria Anzaldua: An ethnomusicological theory-story of intercultural music-making ELIZABETH MACKINLA |