Introduction

1. The Weight of Grief ? Maree Clarke and Khadija von Zinnenburg Carroll on Artist-centricity

2. On Working as an Aboriginal Museum Director and Curator of the Berndt Museum

3. Price and Provenance: William Barak as an Artist in the Market

4. The Duplicity of Emus and Kangaroos: Coats of Arms from the Australian Frontier

5. The Toa of the Dieri

6. ‘The Arts are where Cultures Meet’: A Cross-cultural Analysis of Aboriginal Art in Fashion and Textile Design

7. Aesthetically Similar but Politically Far Apart: The Art and Designs of Bill Onus and Byram Mansell during the Assimilationist Era

8. Shared Motives: New Art and Curatorial Collaborations in the 1980s

9. Decolonisation and Conceptual Art: Collaboration, Appropriation, Transculturation

Ian McLean

10. Widening the Aperture: Cross-cultural Collaboration ? A Perspective from Borroloola

11. Wrecking Culture: Australian Iconoclash 2020