1. Introduction Diana E. Henderson
2. ‘I do, I will’: Hal, Falstaff and the Performative Robert Shaughnessy
3. Medium-Specificity and other Critical Scripts for Screen Shakespeare Katherine Rowe
4. Shakespeare
3.0; or, Text vs. Performance, the Remix W. B. Worthen
5. Shakespeare for Readers Lukas Erne
6. Cutting Both Ways: Bloodletting, Castration/Circumcision, and the "Lancelet" of The Merchant of Venice Patricia Parker
7. Cymbeline, the Font of History, and the Matter of Britain: From Times New Roman to Italic Type Willy Maley
8. Playing with Cupid: Gender, Sexuality, and Adolescence Kate Chedgzoy
9. Death by Numbers: Counting and Recounting in The Winter’s Tale Shankar Raman
10. Hamlet, Prince: Tragedy, Citizenship, and Political Theology Julia Reinhard Lupton
11. Memory, Ideology, Translation: King Lear behind bars and before history Rui Carvalho Homem
12. The Materiality of the Scholarly Text: What Our Books Reveal About Us Mary Thomas Crane
13. Alternative Collaborations: Shakespeare, Nahum Tate, Our Academy, and the Science of Probability Diana E. Henderson
14. Afterword: Alternativity at the Theatrical Core: A Conversation with Michael Boyd, Artistic Director of the Royal Shakespeare Company. Bibliography