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eBook 섹스 성과 성징 性徵 .The Book of Sex & Character, by Otto Weininger
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섹스 성과 성징 性徵 .The Book of Sex & Character, by Otto Weininger
CONTENTS

Page
AUTHOR’S PREFACE TO THE FIRST GERMAN EDITION ix
FIRST OR PREPARATORY PART
SEXUAL COMPLEXITY
INTRODUCTION 1
CHAPTER I “ MALES” AND “ FEMALES”
CHAPTER II MALE AND FEMALE PLASMAS
CHAPTER III THE LAWS OF SEXUAL ATTRACTION
CHAPTER IV HOMO- SEXUALITY AND PEDERASTY
CHAPTER V THE SCIENCE OF CHARACTER AND THE SCIENCE OF FORM
CHAPTER VI EMANCIPATED WOMEN
** SECOND OR PRINCIPAL PART THE SEXUAL TYPES
CHAPTER I MAN AND WOMAN
CHAPTER II MALE AND FEMALE SEXUALITY
CHAPTER III MALE AND FEMALE CONSCIOUSNESS
CHAPTER IV TALENT AND GENIUS
CHAPTER V TALENT AND MEMORY
CHAPTER VI MEMORY, LOGIC, AND ETHICS
CHAPTER VII LOGIC, ETHICS AND THE EGO
CHAPTER VIII THE “ I” PROBLEM AND GENIUS
CHAPTER IX MALE AND FEMALE PSYCHOLOGY
CHAPTER X MOTHERHOOD AND PROSTITUTION
CHAPTER XI EROTICS AND ÆSTHETICS
CHAPTER XII THE NATURE OF WOMAN AND HER SIGNIFICANCE IN THE UNIVERSE
CHAPTER XIII JUDAISM
CHAPTER XIV WOMAN AND MANKIND
index

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섹스 성과 성징 性徵 .The Book of Sex & Character, by Otto Weininger
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2020년 04월 07일
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섹스 성과 성징 性徵 .The Book of Sex & Character, by Otto Weininger
This book is an attempt to place the relations of Sex in a new and decisive
light. It is an attempt not to collect the greatest possible number of distinguishing
characters, or to arrange into a system all the results of scientific measuring and
experiment, but to refer to a single principle the whole contrast between man and
woman. In this respect the book differs from all other works on the same subject.
It does not linger over this or that detail, but presses on to its ultimate goal; it
does not heap investigation on investigation, but combines the psychical
differences between the sexes into a system; it deals not with women, but with
woman. It sets out, indeed, from the most common and obvious facts, but
intends to reach a single, concrete principle. This is not “ inductive metaphysics” ;
it is a gradual approach to the heart of psychology.
The investigation is not of details, but of principles; it does not despise the
laboratory, although the help of the laboratory, with regard to the deeper
problems, is limited as compared with the results of introspective analysis. An
artist who wishes to represent the female form can construct a type without
actually giving formal proof by a series of measurements. The artist does not
despise experimental results; on the contrary, he regards it as a duty to gain
experience; but for him the collection of experimental knowledge is merely a
starting- point for self- exploration, and in art self- exploration is exploration of
the world.

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