Introduction; I: Renaissance Keyboard Music; 1: Some Aspects of P-Cug, MM 242; 2: Making Connections; 3: William Byrd's My Ladye Nevells booke (1591); II: Seventeenth-Century Keyboard Music; 4: Giovanni Maria Trabaci and the New Manner of Inganni; 5: Places of Memory and Invention; 6: The Libro di Fra Gioseffo da Ravenna; 7: A Discourse of Styles; III: Performance Practice; 8: Questions of Keyboard Temperament in the Sixteenth Century 1; 9: Seventeenth-Century Harpsichords; 10: ‘In playing those bells, his amazing dexterity raised my wonder much higher'; 11: Dynamics and Orchestral Effects in Late Eighteenth-Century Portuguese Organ Music; 12: Czerny and the Organ: Pragmatism, Prestige and Performance Practice 1; IV: Perspectives on Eighteenth-Century Repertoire; 13: Some Reflections on Francois Couperin's ‘New and diversified character'; 14: Music for Connoisseurs and Amateurs: C.P.E. Bach and the Keyboard 1; 15: Joao Cordeiro da Silva (1735?1808?): A Portuguese Galant Keyboard Composer; V: The Nineteenth-Century Piano and Repertoire; 16: Grand and Grander; 17: Left-Hand Techniques in Carl Czerny's Pedagogical Piano Works and Nineteenth-Century Pianism; 18: In the Footsteps of Jean Paul; 19: A Forgotten Repertoire