Introduction - Luca Levi Sala and Rohan H. Stewart-MacDonald
1. Britain and Europe in the Time of Clementi: Cosmopolitanism and Perceptions of National Culture - Simon McVeigh
2. Clementi in London - Leon Plantinga
3. The Dissemination of Muzio Clementi’s Output Beyond England: Issues of Authenticity and Textual Problems in Vienna (1787?1799) - Luca Levi Sala 4. Clementi’s Introduction in European Musical Life, 1801?1830 - David Rowland 5. Inventions and Ideas on the Peripheries of British Piano Design Between 1752 and 1832 - Jenny Nex 6. Shedding light on late eighteenth-century British Piano Performance Style through Clementi’s edition of Scarlatti's Chefs d’Oeuvre, for the Harpsichord or Piano-Forte - Laura Cuervo 7. Towards a New Edition of Clementi’s ‘Viennese’ Sonatas, Opp. 7?10: Contemporary English Sources and the Problem of Revision - Rohan H. Stewart-MacDonald 8. Association by Design: Clementi’s Musical Characteristics - Penelope Cave 9. Clementi and the Tambourine: the Waltzes opp. 38?39 in the Context of Domestic Music-Making in Early Nineteenth-Century Britain - Sam Girling 10. Clementi’s Minor-Mode Keyboard Music and the Rhetoric of ‘Ancient Style’ - Matthew Riley 11. Locating the Early-Romantic British Piano Concerto: William Sterndale Bennett and his Contemporaries - Rohan H. Stewart-MacDonald