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Foreword: - Gerd Karin Bjørhovde, ‘Encountering George Egerton in the Scandinavian Context’ Introduction: ? Isobel Sigley and Whitney Standlee Part1: Cosmopolitanism and Globalism 1. Peter Sjølyst-Jackson, ‘“A Foreign Element”: George Egerton, Scandinavian Literature and Knut Hamsun’s Sult’ 2. Sravya Raju, ‘The Flagrancy of the Flaneuse: Amorality as Necessity in George Egerton’s City Writing’ 3. Paul March-Russell, ‘Between Nietzsche and Wagner: Egerton’s Wounded Modernism’ Part2: Sexual Identities and Queer Form 4. Heather Marcovitch, ‘George Egerton, John Lane, and Radical Friendship’ 5. Niels Caul, ‘The Wheel of God: An Irish Modernist Bildungsroman’ 6. Clare Stainthorp, ‘Sexuality, love, and spiritual connection in Rosa Amorosa: “an ideal of my own”’ 7. Rachel O’ Nunain, ‘In Dialogue with Ibsen and Shaw: Female Transgression and Social Precarity in The Backsliders (1910)’ Part3: Feminist Geopolitics 8. Nathalie Saudo-Welby, ‘“How we women digress”: Modernism, Feminism and Deviation in George Egerton’s short fiction of the 1890s’ 9. Whitney Standlee, ‘Medical and Legal Discourse and Varieties of “Unnatural” Parenthood in the Works of George Egerton’ 10. Isobel Sigley, ‘The Key Note: Reassessing Motherhood in George Egerton’s Short Fiction through Ellen Key’s “Collective Motherliness”’ 11. Eadaoin Regan, ‘“I suppose you are Irish” “Half of me”: An exploration of Irish identity and its role in mental illness in selected works of George Egerton’ Part4: Influence and Legacy 12. Eleanor Fitzsimons, ‘George Egerton and the Liberation of Irish Women’ Afterword: Margaret D. Stetz, 'The Future of Egerton Studies' |