Acknowledgements, Notes on Contributors, List of Figures, Notes on Romanization, Introductory Chapter: Rethinking the Study of Exhibitions of Chinese Art - Ho Chui Fun, Selina, Part1: Exhibitions of Art in China in the Early Twentieth Century, Chapter 1: Nagao Uzan and China's First Exhibitions of Chinese Paintings in Shanghai in 1908 - Ding Yuhua, Chapter 2: Beyond Elegant Gathering: Displaying Chinese Art and Antiquities in the Early Twentieth Century - Tu Anran, Chapter 3: Curating and Displaying Architecture: China Architectural Exhibition in Shanghai, 1936 - Zhang Xi, Chapter 4: Atavistic Culturalism and Contemporary Relevance: Modern Chinese Paintings in the Second National Arts Exhibition, 1937 - Zhao Xing, Part II: Cultural Politics of Exhibiting Chinese Art in Asia, from the 1950s onwards, Chapter 5: How Should I Put it Now? Positioning China in Exhibitions at the National Palace Museum, Taipei, 1965-2023 - Liu Yu-jen, Chapter 6: The Soft Power of Cool: Exhibiting Chinese Art in Japan from the Post-War Period to the Twenty-First Century - Ng Ni Na Camellia, Chapter 7: Shifting Chinese-ness(es): The Exhibiting of Chao Shao-an's Paintings and the Chinese Community in 1950s Singapore - Wong Yuet Heng, Chapter 8: Transcultural Interpretations of Twentieth-Century Chinese Art: Exhibiting Wu Guanzhong in Hong Kong - Hua Shuo, Part III: Curating Chinese Art in the Twenty-First Century, Chapter 9: Curating Traditional Chinese Art as Creative Heritage - Ho Chui Fun, Selina, Chapter 10: Moving Images as Curatorial Methods: Animation, Digital Interactive Installation, and the Reincarnation of Traditional Chinese Art - Yang Panpan, Chapter 11: Unframing Chinese Paintings: Exploring Spatial Presence through X-Reality Technologies in Museums - Zhu Yi, Chapter 12: Curating Chinese Landscape Painting as Immersive Art: Intermedia and Gallery Film Approaches - Wang Bingxi, Cici.