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Acknowledgments, Note on Works Cited, Note on Asian Names,
1. Introduction: Setting the Stage, 2. The Master of the Form: Japan at San Francisco's 1915 Panama-Pacific International Exposition, 3. The New China and Chinese-Americanness: China at San Francisco's 1915 Panama-Pacific International Exposition, 4. Performing Japan in the 'World of Tomorrow': Japan at the 1939-1940 New York World's Fair, 5. From 'Panda Diplomacy' to Acrobat Diplomacy: China at the Brisbane's Expo '88, 6. Fashion, Dance, and Representing the Filipina: The Philippines at the 1964-1965 New York World Fair, 7. Performing Modernity under Sukarno's 'Roving Eye': Indonesia at the 1964-1965 New York World's Fair, 8. Maximizing Affect, Minimizing Impact with Hansik: South Korea at the 2015 Milan International Exposition, 9. Hard and Soft Power in the Thai Pavilion: The Spectral Presence of King Bhumibol at the 2015 Milan Exposition, 10. Conclusion: The Future of Asian Self-Representation at the International Exposition, Works Cited, Index |