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Acknowledgement, Introduction, Projecting Sinophone Cine-feminisms: Towards an Intimate-Public Commons,
1. Migrating Hearts: Sinophone Geographies of Sylvia Chang’s “Woman’s Film”, 2. Floating Light and Shadows: Huang Yu-shan’s Chronicles of Modern Taiwan, 3. From Sidewalk Realism to Spectral Romance: Yang Lina’s Post-Socialist Beijing and Beyond, 4. Eggs, Stones, and Stretch Marks: Haptic Visuality and Tactile Resistance in Huang Ji’s Personal Cinema, 5. “Spicy-painful” Theater of History: Wen Hui’s Documentary Dance with Third Grandmother, 6. In Praise of Trans-Asian Sisterhood: Labor, Love and Homecoming in Jasmine Ching-hui Lee’s Money and Honey, 7. “We Are Alive”: Minor Transnationalism and Yau Ching’s Queer Experimental Filmmaking, 8. Outcries and Whispers: Digital Political Mimesis and Radical Feminist Documentary, Epilogue: At Home in the World, Chinese Glossary, Bibliography, Filmography, List of Figures, Index. |