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Introduction: ‘You know I have [a] knack with foreign languages, pick ’em up like fleas’ Martine Hennard Dutheil de la Rochere & Marie Emilie Walz Section 1: Angela Carter’s Antiquarianisms Chapter 1: Middle English, Merlin and the Medieval Worlds of Angela Carter Marie Mulvey-Roberts Chapter 2: Translating Allegorical ‘Transfixion’: From Edmund Spenser’s The Faerie Queene to Angela Carter’s The Bloody Chamber Marie Emilie Walz Chapter 3: Translational Play with the Shakespearean Utterance in Angela Carter’s ‘Overture and Incidental Music for A Midsummer Night’s Dream’ Michelle Ryan Chapter 4: Translation as Creative Crossing: Angela Carter Conversing with the Victorian Past Karima Thomas Section 2: Angela Carter’s ‘Translational Poetics’ Chapter 5: From the Parisian to the Cockney Venus: Angela Carter’s Acrobatic Homage to Baudelaire’s Poems in Prose Martine Hennard Dutheil de la Rochere Chapter 6: ‘Perhaps so, perhaps not’: Angela Carter’s Italian Connections Nicoletta Pireddu Chapter 7: Hana, or Monster within a Flower: Carter’s Iconographic Translation of Japanese Palimpsests Natsumi Ikoma Chapter 8: Liliane Louvel Section 3: Translating Angela Carter’s Fiction in Context Chapter 9: A ‘Garden of (Some) Forking Paths’: Angela Carter’s Translations and Resonances in the Hispanic Context Dolores Phillipps-Lopez Chapter 10: Translating Body-Language and Cultural Transfer: Angela Carter’s Birdwoman Cackles in Hungarian Anna Kerchy Chapter 11: Interview with Yun ‘Jo’ Yen: Angela Carter in Chinese Translation Caleb Ferrari Section 4: The Reception of Angela Carter’s Works in Translation and Transmediation Chapter 12: ‘A gold mine of imagination’ or ‘bloated nonsense’? Translations and Reception of Angela Carter’s Work in the Netherlands and Germany Anka Draganski Chapter 13: Who’s Afraid of Angela Carter? On the Reception of Her Work in Poland Monika Wo?niak Chapter 14: The Musical Transpositions of Angela Carter’s Fiction: An Interview with Polly Paulusma Marie Emilie Walz |