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List of figures List of tables List of contributors Main Introduction Emma-Kate Matthews and Jane Burry Part I: Architectural Acoustics (Introduction) Jane Burry Chapter 1: Designed Extremes Shane Myrbeck Chapter 2: Introducing Acoustic Shadows Pantea Alambeigi and Jane Burry Chapter 3: Transferring The Impression Of Real And Imaginary Spaces Philip J B Jackson and Philip D Coleman Chapter 4: Beyond The Sweet Spot: Sound, Space And Emotion Raj Patel, Iain Forsyth, Jane Pollard and Ed.Gerrie Van Noord Chapter 5: Architectural Acoustics of the Sagrada Família Basílica Sipei Zhao and Mark Burry Chapter 6: Intimate Acoustic Environments On Record Emil Kraugerud Chapter 7: Long Range: Intrinsic Acoustic Performance Zackery Belanger, Catie Newell and Wes Mcgee Part II: Psychology And Physiology (Introduction) Jane Burry Chapter 8: Immersive Ambisonic Spatial Audio Design for Extreme Environments Stu Favilla Chapter 9: In an Open (Music) Field. Space And Time Notation for Representing Landscape David Buck and Carla Molinari Chapter 10: Lend Me Your Ears Michael Fowler Chapter 11: Imagining Together Nina Garthwaite Chapter 12: Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci John L. Drever Chapter 13: On Sonic Growth And Form; Biometric Evolution of Sound and Space Paul Bavister Chapter 14: Infrastructures of Inaudibility: The Spatial Politics of Assistive Listening Jonathan Tyrrell Part III: Philosophy And Politics (Introduction) Mark Burry Chapter 15: Reading Aloud: The Vocalisation of Living Space Paul Carter Chapter 16: From Affordances to Value Chains: Probing the System of Sound, Space and Public Sven Anderson Chapter 17: On Vibrational Architectures Gascia Ouzounian (Text) and Jan St. Werner (Images) Chapter 18: House of Silence, of Stillness, of Solitude Mark Taylor Chapter 19: Dimensionless Space (With Serrated Edges and Sucking Noises): Intimacy, Asmr, Micro-Magic, Sensory Scholarship and Other Taboos David Toop Chapter 20: Posthuman Listening to the More-Than-Human Soundscape Jordan Lacey Chapter 21: Towards A Topology of Music Ildar Khannanov Chapter 22: Sound’s Spatial-Material Circuitry Raviv Ganchrow Chapter 23: Place, Sound, and Architecture Jeff Malpas Chapter 24: Shaping Sounds of Future Environments Eleni-Ira Panourgia Part IV: Sound Art and Music (Introduction) Emma-Kate Matthews Chapter 25: Spatiosonic Dialogues: Exploring Architecture's Role in Music Composition and Performance Emma-Kate Matthews Chapter 26: In Praise of Emptiness: A Future for Performance Venues Fabricio Mattos Chapter 27: Opera in the Bathhouse; Exploring an Acoustically Led Approach to Dramaturgy and Scenography Rosalind Parker and Pedro Novo Chapter 28: Sound, Space and the Iko Loudspeaker – The Apparent Paradox of Diversity with Unity Angela Mcarthur and Emma Margetson Chapter 29: Intimate Sound: Making Known, Curating and Composing for Small Spaces Lawrence Harvey Chapter 30: Listening With, Listening Toward: Proposing Graphic Transcription as a Means Of (Re)Hearing Space Ben Mcdonnell Chapter 31: Site-Oriented Music Curation. Contouring The Listening Spaces Sasha Elina Chapter 32: Notes from the Far Field Philip Samartzis Chapter 33: Fluid Architectures and Aural Sculpturality – Towards an Aesthetic of Sonic Spatio-Temporal Environments Gerriet Krishna Sharma Chapter 34: Acoustic Atlas - An Orchestra of Echoes Cobi Van Tonder Index |