|
Preface Introduction: Cinematic World as Metaphysical World 1. “The Fourth Stage”: Wole Soyinka Revisited 2. Èsù, Convolution and Confrontation in the African World 3. Africa’s Fourth Cinema and its Metaphysical Sources 4. Morality and Tragedy in Africa’s Fourth Cinema 5. The Aesthetics of Èjìgbèdè Ẹ̀kú in Africa’s Fourth Cinema Conclusion |