Introduction Part I: Inter-Asian Mobilities
1. The Warehouse as Intermedial Zone: Assemblages of Intra-Asian Art and Cinema
2. Amaravati, Baahubali and Hindu Nationalism’s Technological Futurities
3. OFW Films and the Intermedial Migration of Subgenre Part II: Vernacular Intermediality
4. After the Curfew, Before the Digital: The Rise of Intermedial “Malay” Cinema in 1950s Indonesia
5. The Igorot Vlogger: Indigenous Peoples as Migrant Domestic Worker Influencers
6. “This Is a Trial, Not a Performance”: Tracing Inter-Asian Connections Through the “Elders’ Drinking Song”
7. A Cinema of Parts: Apichatpong Weeraethakul's Generative Voice Part III: Transboundary Co-Producing
8. A World of Premieres: Taste, Multi-region Co-productions in Pandemic Times and Six Theses on Intermediality
9. Intraregional Star Currency: Michelle Yeoh’s Goodwill Image and Her Southeast Asian Connections in the Intermedial Space
10. Dubbing, Collecting, and Cinephilic Storytelling: Inter-Asia and Intermedia Hong Kong Film Memories in Thailand
11. Intermedial Labor in a Minor Mode: Creators, Animators, and Queer Girls’ Love Fans in the Philippines, Asia, and Beyond
12. Afterword: “Dynamics of Towardness”: Intermediating Asia