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Invitation
Eternal Night Afterworld If We Are Completed in a Painting Hunting Season Blood and Iron A Glass Rose Island Ten Thousand Nights and Days With the Map of the Night Spread Open Dream’s Joke We, At the End of the World Rainy Season Blackout To Death Ostracized by Angels Small Theater Behind the Scenes Fire and Ash Eternal Light Curtain Call Poet’s Note Poet’s Essay Commentary What They Say About Yang Anda |
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Yang Anda
1992년 충남 천안에서 태어났다. 2014년 『현대문학』을 통해 등단했다. 시집 『작은 미래의 책』 『백야의 소문으로 영원히』 『세계의 끝에서 우리는』 『숲의 소실점을 향해』 『천사를 거부하는 우울한 연인에게』 『몽상과 거울』, 동인 시집 『한 줄도 너를 잊지 못했다』가 있다. 창작 동인 ‘뿔’로 활동하고 있다.
양안다의 다른 상품
Translated by Stella Kim. Stella Kim studied Music and East Asian Studies at Colby Colledge in Maine and Korean History at Columbia University in the New York City. She developed her interest in literary translation while spending a year in the Translation Academy at the Literature Translation Institute of Korea. She received
Translated by Stella Kim. Stella Kim studied Music and East Asian Studies at Colby Colledge in Maine and Korean History at Columbia University in the New York City. She developed her interest in literary translation while spending a year in the Translation Academy at the Literature Translation Institute of Korea. She received the Korean Literature Translation Award for New
Career Translators in 2014 and the Korea Times Translation Award in 2016. After earning her MA in translation and interpretation at Hankuk University of Foreign Studies, she is currently working as a freelance translator and interpreter.
Career Translators in 2014 and the Korea Times Translation Award in 2016. After earning her MA in translation and interpretation at Hankuk University of Foreign Studies, she is currently working as a freelance translator and interpreter.
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품목정보
- 발행일
- 2020년 03월 30일
- 쪽수, 무게, 크기
- 128쪽 | 136g | 115*188*8mm
- ISBN13
- 9791156624493
추천평
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When writing poetry, there is a question that people always ask. What do you think poetry is? I don’t think much about it. I don’t want to think of poetry as something sacred, but I also don’t want to consider it nothing. So I answer, Poetry is like a game. A game that I can play by myself. With no one paying attention to me. A game like that. I said that many times. - From Poet’s Note
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Now, within the frame of mirrors and mise-en-scene, Yang Anda continues to create nightmares of the night and labyrinths in the woods, carving the traces of “me” who walks with a limp and “you” who falls into a languid slumber. He engraves “your” absence and “my” loss in front of the world represented by “you,” who is fading in the inevitable and irreversible. Yet all the while, rejecting everything. - From Commentary
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