Preface; Jay Chattaway

1. Introduction: Hearing Utopia in Star Trek; Jessica Getman, Brooke McCorkle Okazaki, Evan Ware



2. Star Trek: The Original Series, Utopian/Dystopian Spaces, and Music; Amanda Keeler



3. The Trouble with Trebles: Orchestration and False Utopias in Star Trek: The Original Series; Reba Wissner



4. Tracks for Trek: Music in Network Ads for TOS; James Deaville



5. From Spock with Love: Fan Audio, Participatory Media, and Circulating the Materials of Star Trek Fan Culture; Kate Galloway



6. Loving Lwaxana, Trek’s Sonically Disruptive Diva; Josh Morrison



7. I, Musician: Humanity, Music, and Artificial Intelligence in the Star Trek Franchise; Jessica Getman



8. Not Logical, but Often True: The Evolving Role of Religion in Star Trek’s Utopia; Naomi Graber



9. Sinatra in Space: Music for Hope and Loss Beyond the Final Frontier; Timothy Summers



10. Markers of Utopian Difference: Music in Deep Space Nine (1993?1999) and Voyager (1995?2001); Paul Sommerfield



11. No, They’re Not Gonna Change My Mind: Anti-Fandom and the Enterprise Title Cue; Evan Ware



12. Navigating Contrasting Styles in the First Three Star Trek Film Scores; Louis Niebur



13. Songs of the Final Frontier: Listening to Whales in Star Trek IV: The Voyage Home; Sarah Kessler



14. Days of Utopia Past: Nostalgia and the Star Trek (2009) Soundtrack; Brooke McCorkle Okazaki



15. Epilogue: The Conflicted Utopias of Star Trek’s Renaissance (2017?); Jessica Getman, Brooke McCorkle Okazaki, Evan Ware