Introduction: ‘We need to hear your voices’ (Felicity Wilcox) / Chapter 1: Waiting for a break: Barriers to career progression in a man’s industry (Catherine Strong and Fabian Cannizzo) / Chapter 2: A universal mind: The film music of Bebe Barron (Reba A. Wissner) / Chapter 3: Delia Derbyshire: An examination of selected film and television scores (Louis Niebur) / Chapter 4: Wendy Carlos: Switched-on film scoring (James Deaville) / Chapter 5: Hidden in the mainstream: Shirley Walker’s musical contributions to feature films and animated television series (Philip Hayward and Matt Hill) / Chapter 6: Lolita Ritmanis: Heritage and Hollywood (Jessica Getman) / Chapter 7: Laura Karpman: Compositional direction and purpose (Charles MacInnes) / Chapter 8: Anne Dudley: The art of music and diegesis (Paul Hegarty) / Chapter 9: Rachel Portman: Midscale magic and Hollywood storytelling (Lindsay Coleman) / Chapter 10: Lisa Gerrard: Songs from the heart (Felicity Wilcox) / Chapter 11: The film scores of Mica Levi: Femininity in flux (Caitriona Walsh) / Chapter 12: Ascendancy: The rise and recognition of Hildur Guðnadottir as a screen composer (Philip Hayward and Matt Hill) / Chapter 13: Winifred Phillips: Emotional resonance and social eloquence (Iain Hart) / Chapter 14: Heroines unsung: The (mostly) untold story of female Japanese game music composers (Melanie Fritsch) / Chapter 15: Composing women of Australian television (Felicity Wilcox)