Acknowledgements

List of Figures, Tables, and Musical Examples

Introduction: Adaptation and Rearrangement Across Screen Media

Kate Galloway, Katherine Reed, and Reba A. Wissner

Part 1

Reuse and Arrangement

Chapter 1: Cantor Mortis: Singing Bodies, Pre-existing Music, Death, and Life in Swiss Army Man (dir. Daniels, 2016)

James Denis Mc Glynn

Chapter 2: David Bowie, Lazarus, and Self-Adaptation through the Audiovisual

Katherine Reed

Chapter 3: Star Trek: Parody–Music in Transmedial Exchange

Jessica Getman

Chapter 4: Transmedia Transylvania: Interactivity and Adaptation in Rocky Horror Video Games

William Gibbons

Chapter 5: Link’s Awakening for the Nintendo Switch: A Taxonomy of Musical Palimpsests

Jordan Carmalt Stokes

Part 2

Layering and Dialogue

Chapter 6: Audiovisual Déjà Vu: Doubling, Afterimages, and Technostalgia in Olivia Rodrigo’s Music Videos

Amy Skjerseth

Chapter 7: Death and Transfiguration: (Ludomusical) Adaptation across the Scott Pilgrim Franchise

Stefan Greenfield-Casas

Chapter 8: Transmedia Perry Mason: The Case of the Novel to Film to Television Adaptations

Reba A. Wissner

Chapter 9: The Indie Sleaze Revival Will Be Televised: Sync, Self-Referentiality, and the Sound of the 2000s

Morgan Bimm

Part 3

Representation and Recall

Chapter 10: Adaptation (Taylor’s Version): Performing Intertextual Listening and the Compilation Soundtrack

Kate Galloway

Chapter 11: Westworld and Crazy Rich Asians: Exploring the Music of Asian and Asian American Identity Formation

Caitlan Truelove

Chapter 12: Virtual Acousmatics: Aspects of Orientation Through Gamic Remix

Logan H. G. Davis

Chapter 13: Games Telling Lies? Adapting the Jazz-Noir Fallacy in Game Noir

James C. Heazlewood-Dale

Notes on Contributors

Index