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CHAPTER XVI. FORM OF APERTURE.
CHAPTER XVII. FILLING OF APERTURE. CHAPTER XVIII. PROTECTION OF APERTURE. CHAPTER XIX. SUPERIMPOSITION. CHAPTER XX. THE MATERIAL OF ORNAMENT. CHAPTER XXI. TREATMENT OF ORNAMENT. CHAPTER XXII. THE ANGLE. CHAPTER XXIII. THE EDGE AND FILLET. CHAPTER XXIV. THE ROLL AND RECESS. CHAPTER XXV. THE BASE. CHAPTER XXVI. THE WALL VEIL AND SHAFT. CHAPTER XXVII. THE CORNICE AND CAPITAL. CHAPTER XXVIII. THE ARCHIVOLT AND APERTURE. CHAPTER XXIX. THE ROOF. CHAPTER XXX. THE VESTIBULE. APPENDIX. 1. FOUNDATION OF VENICE. 2. POWER OF THE DOGES. 3. SERRAR DEL CONSIGLIO. 4. S. PIETRO DI CASTELLO. 5. PAPAL POWER IN VENICE. 6. RENAISSANCE ORNAMENTS. 6. RENAISSANCE ORNAMENTS. 7. VARIETIES OF THE ORDERS. 8. THE NORTHERN ENERGY. 9. WOODEN CHURCHES OF THE NORTH. 10. CHURCH OF ALEXANDRIA. 11. RENAISSANCE LANDSCAPE. 12. ROMANIST MODERN ART. 13. MR. FERGUSSON’S SYSTEM. 14. DIVISIONS OF HUMANITY. 15. INSTINCTIVE JUDGMENTS. 16. STRENGTH OF SHAFTS. 17. ANSWER TO MR. GARBETT. 18. EARLY ENGLISH CAPITALS. 19. TOMBS NEAR ST. ANASTASIA. 20. SHAFTS OF DUCAL PALACE. 21. ANCIENT REPRESENTATIONS OF WATER. 22. ARABIAN ORNAMENTATION. 23. VARIETIES OF CHAMFER. 24. RENAISSANCE BASES. 25. ROMANIST DECORATION OF BASES. |