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eBook On the Old Road Vol. 2 Part 2
Legacy of Great Minds 1468 EPUB
John Ruskin 저
수아르 2026.05.30.
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LITERATURE.
FICTION?FAIR AND FOUL.(Nineteenth Century, June, August, Sept., Nov. 1880, and Oct. 1881.)
FAIRY STORIES.(Preface to "German Popular Stories," 1868.)
FICTION, FAIR AND FOUL.
FOOTNOTES:
FICTION, FAIR AND FOUL.[62]
II.
FOOTNOTES:
FICTION, FAIR AND FOUL.
III.[73]
[Byron]
FOOTNOTES:
FICTION, FAIR AND FOUL.
IV.[88]
Postscript.
FOOTNOTES:
FICTION, FAIR AND FOUL.
V.[98]
THE TWO SERVANTS.
FOOTNOTES:
FAIRY STORIES.[110]
FOOTNOTES:
ECONOMY.
HOME, AND ITS ECONOMIES.(Contemporary Review, May 1873.)
USURY. A REPLY AND A REJOINDER.(Contemporary Review, February 1880.)
USURY. A PREFACE.(Pamphlet, 1885.)
HOME, AND ITS ECONOMIES.[111]
FOOTNOTES:
USURY.[124]
A REPLY AND A REJOINDER.
FOOTNOTES:
USURY.[132]
A PREFACE.
FOOTNOTES:
THEOLOGY.
NOTES ON THE CONSTRUCTION OF SHEEPFOLDS.(Pamphlet, 1851.)
THE LORD'S PRAYER AND THE CHURCH.(Letters and Epilogue, 1879-1881.)
THE NATURE AND AUTHORITY OF MIRACLE.(Contemporary Review, March 1873.)
NOTES ON THE CONSTRUCTION OF SHEEPFOLDS.[137]
PREFACE (CALLED "ADVERTISEMENT") TO THE FIRST EDITION.
PREFACE TO THE SECOND (1851) EDITION.
PREFACE TO THIRD (CALLED SECOND) EDITION.
FOOTNOTES:
NOTES,
ETC., ETC.
FOOTNOTES:
THE LORD'S PRAYER AND THE CHURCH.[153]
LETTERS. I.[154]
II.
III.
IV.
V.
VI.
VII
VIII.
IX.
X.
XI.
FOOTNOTES:
EPILOGUE.
FOOTNOTES:
THE NATURE AND AUTHORITY OF MIRACLE.[174]
FOOTNOTES:
AN OXFORD LECTURE.(Nineteenth Century, January 1878.)
AN OXFORD LECTURE.[178]
FOOTNOTES:
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저자 소개

John Ruskin was one of the most influential English art critics and social thinkers of the nineteenth century, known for connecting art, architecture, and labor with the meaning of human life. He strongly criticized the machine-centered society created by the Industrial Revolution and worried that human creativity and emotional depth were gradually disappearing in modern civilization. Through major works such as Modern Painters and The Stones of Venice, he argued that art was not merely decoration but a reflection of the moral and spiritual condition of society. Ruskin’s ideas later inspired the Arts and Crafts Movement as well as modern design philosophy, making his influence extend far beyond traditional art criticism. He believed that true beauty could be found not in luxury or excess but in nature, honest work, and a sincere human life.

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